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Festival Oude Muziek Utrecht 2025 – Museumkunst?

29 August - 7 September 2025

Is early music Museumkunst?

It sounds like a trick question. Of course, the answer is yes!

Museumkunst refers to cultural expressions that have entered the canon: masterpieces that fully deserve to be preserved, protected, and passed on to new generations.

Maar de term wordt ook wel eens spottend gebruikt. Museumkunst verwijst dan naar verouderde kunst die misschien geconserveerd mag worden, maar feitelijk uitgespeeld is in de hedendaagse samenleving. Kunst waarin het vuur is gedoofd.

But the term is sometimes used mockingly. Museumkunst can also refer to outdated art that, while it may be conserved, has in fact lost its relevance in contemporary society — art in which the fire has gone out.

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Much of the art music of past centuries was functional music. Today, little remains of that original function. Religious music is relocated to the secular concert hall. Music with political purposes is neutralized into background music. As an early music festival, we do much the same as museums: we detach cultural expressions from their original environment and place them in a new context, with a new purpose: to let people experience beauty. But can we truly do this without consequence? Are we not cutting off the lifeblood of the music? Or is it more complex?

Many young musicians today feel the urge to create new rituals. They transform concerts into fictional liturgical performances. They cherish atmosphere, weaving theatrical experiences together to create new inspiration. We showcase and explore this striking trend. It is just one of the many answers to the central question of this festival edition: how do we keep heritage alive for people today?

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La Fonte Musica - Artist in residence

For centuries, springs and fountains have symbolized paradisiacal places of beauty and music. Enter: La Fonte Musica. As artist in residence, the groundbreaking ensemble led by lutenist Michele Pasotti will take the stage three times, presenting repertoire spanning from the late Middle Ages to the early Baroque.

From the medieval sacred music of Matteo da Perugia to a brand-new interpretation of Monteverdi’s groundbreaking L’Orfeo, and further to Monteverdi’s Combattimento di Tancredi e Clorinda: La Fonte Musica proves that ‘old’ does not mean ‘outdated’.

Ensemble leader Michele Pasotti – researcher, lutenist, and philosopher – is known for daring reconstructions, virtuosic instrumental mastery, and a deeply textual approach, colouring ancient sound worlds with contrasts and highly refined nuances.

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Jean Rondeau - Artist in residence

Forget everything you thought you knew about the seventeenth-century keyboard giant Louis Couperin. Artist in residence Jean Rondeau launches a sweet guerrilla attack on the complete works of the French master of melancholy.

In seven concerts – four on the harpsichord, two on the organ, and one in a chamber music setting – Rondeau unlocks the oeuvre of the brilliant yet often overlooked uncle of François ‘le Grand’. From unmeasured preludes to glowing chaconnes: this will not be a dusty gallery of music, but a sound laboratory where everything bubbles and brews while the DNA of Couperin is unravelled.

Rondeau is mesmerizing at the keys, a powerhouse soloist, and a delightful, generous ensemble partner. Whether on organ or harpsichord, he brings every repertoire to life with disarming poetry. Rondeau is a natural poet – just like his idol Louis.

With a passe-partout, you can attend all of Jean Rondeau’s concerts for € 133 / € 122.

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