Mozaïque
Vienna may have been the heart of the Habsburg Empire, but Italian music was predominant at court. When Antonio Caldara became Deputy Kapellmeister there in 1717, he also imported the Roman cantata style. In these miniature dramas of love and jealousy, nymphs and shepherds populate an Arcadian landscape, and every aria opens a new chapter of longing. Chloé de Guillebon is a rising star as a harpsichordist, conductor, and ensemble leader, and the ideal interpreter for Caldara’s refined theatre.
Available online from 1 May 2027 via www.emtv.online.
Programme
-
Antonio Caldara
Ouverture
(from: Adriano in Siria, 1732)
Questo che all‘erbe intorno
Ingrato! E perché mai
(from: Duodeci Cantate con Istromenti, 1729)
Balletto Primo
(from: Ifigenia in Aulide, 1718)
In un antro solingo
Traditor, che già spezzati
(from: Duodeci Cantate)
Programme subject to change1670-1736
Musicians
- Sarah Charles soprano
- Simone Siviero alto
- Pietro Battistoni, Ivan Iliev, Tomoe Badiarova, Alexandre Turmel, Ajda Porenta, Ruiqi Qen violin
- Joanna Patrick Taffs, TBA viola
- Celeste Casiraghi, Jacopo Ristori cello
- Daniël Muskitta double bass
- Elias Conrad theorbo
- Chloé de Guillebon musical direction, harpsichord
