Graindelavoix
Forget everything you thought you knew about polyphony. Graindelavoix kicks down the doors of music history and reveals what musicologists have always kept silent about: that polyphony was not a simple art form but aural alchemy – l'art pour l'art without shame or restriction. Solage's crazy ars subtilior, Luython's hermetic experiments: these were resounding showpieces with which princes filled their cabinets of curiosities. A sonic trip through four centuries of impossible sounds: this music has teeth!
Programme
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Wunderkammer of Jean de Berry
-
Solage
Corps feminin
Fumeux fumefl. late 14th century -
Jacob de Senleches
Je me merveil
fl. 1382/83 -
Wunderkammer of Margaret of Austria
-
Marbrianus De Orto
Dulces exuviae
c1460-1529 -
Josquin Desprez
Proch dolor
c1450/55-1521 -
Pierre de la Rue
Sous ce tumbel
Doleo super tec1452-1518 -
Antoine Brumel
Tous les regretz
c1460-1512/13 -
Nachleben of the regretz chanson
-
Nicolas Gombert
Tous les regretz
c1495-1560 -
Wunderkammer of Albrecht V of Bavaria
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Cipriano de Rore
Calami sonum ferentes
Dissimulare etiam sperasti
Media vita in morte1515/16-1565 -
Wunderkammer of Rudolf II of Prague
-
Michael Maier
Latonae sobolem
Nosse cupis causam
Praetumido languensa
Alta venenoso fodiatur1569-1622 -
Camillo Zanotti
Ceu verni rosaei
c1545-1591 -
Carl Luython
Lamentationes 1-4
Programme subject to changec1557/58-1620
Musicians
- Teodora Tommasi soprano, harp
- Florencia Menconi mezzo-soprano
- Andrew Hallock alto
- Albert Riera, André Pérez, Marius Peterson tenor
- Tomàs Maxé, Arnout Malfliet bass
- Lluis Coll i Trulls cornetto
- Floris De Rycker lute
- Björn Schmelzer artistic direction