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Graindelavoix

Wunderkammer Cracked

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Utrecht, Sint-Catharinakathedraal
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Graindelavoix

Forget everything you thought you knew about polyphony. Graindelavoix kicks down the doors of music history and reveals what musicologists have always kept silent about: that polyphony was not a simple art form but aural alchemy – l'art pour l'art without shame or restriction. Solage's crazy ars subtilior, Luython's hermetic experiments: these were resounding showpieces with which princes filled their cabinets of curiosities. A sonic trip through four centuries of impossible sounds: this music has teeth!

Programme

  • Wunderkammer of Jean de Berry

  • Solage

    Corps feminin
    Fumeux fume

    fl. late 14th century
  • Jacob de Senleches

    Je me merveil

    fl. 1382/83
  • Wunderkammer of Margaret of Austria

  • Marbrianus De Orto

    Dulces exuviae

    c1460-1529
  • Josquin Desprez

    Proch dolor

    c1450/55-1521
  • Pierre de la Rue

    Sous ce tumbel
    Doleo super te

    c1452-1518
  • Antoine Brumel

    Tous les regretz

    c1460-1512/13
  • Nachleben of the regretz chanson

  • Nicolas Gombert

    Tous les regretz

    c1495-1560
  • Wunderkammer of Albrecht V of Bavaria

  • Cipriano de Rore

    Calami sonum ferentes
    Dissimulare etiam sperasti
    Media vita in morte

    1515/16-1565
  • Wunderkammer of Rudolf II of Prague

  • Michael Maier

    Latonae sobolem
    Nosse cupis causam
    Praetumido languensa
    Alta venenoso fodiatur

    1569-1622
  • Camillo Zanotti

    Ceu verni rosaei

    c1545-1591
  • Carl Luython

    Lamentationes 1-4

    Programme subject to change

    c1557/58-1620

Musicians

  • Teodora Tommasi soprano, harp
  • Florencia Menconi mezzo-soprano
  • Andrew Hallock alto
  • Albert Riera, André Pérez, Marius Peterson tenor
  • Tomàs Maxé, Arnout Malfliet bass
  • Lluis Coll i Trulls cornetto
  • Floris De Rycker lute
  • Björn Schmelzer artistic direction

About the performers

Graindelavoix is an Antwerp based, multidisciplinary company with a fascination for the voice, the genealogy of vocal repertoires and their relationships with the affective body, history and territory. The ensemble was founded in 1999 by anthropologist and ethnomusicologist Björn Schmelzer. The group does not abide by the unwritten aesthetic ‘etiquette’ of the early music world; it seeks out alternative options that enable it to give priority to expression and intensity. Björn Schmelzer was curator in residence of the Festival Oude Muziek Utrecht 2018. 

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