Malgosia Fiebig

Malgosia Fiebig

They were far ahead of their time: Élisabeth Jacquet de la Guerre – a successful music entrepreneur in Paris around 1700 – and Isabella Leonarda, who, whilst at the Ursuline convent in Novara, became one of the most prolific female composers ever. Devout and traditional? Call it idiosyncratically elegant! Malgosia Fiebig lets their suites and sonatas, dances and arias fan out over the city centre from a height of 80 metres.

Listening spot: Buurkerkhof

Programme

• Élisabeth Jacquet de la Guerre / arr. Arie Abbenes

  Suite in D minor, no. 5
  La Flamande – Courante – Sarabande – Gigue – Rigaudoun I, II – Chaconne
  (from: Pièces de clavecin qui peuvent se jouer sur le violon, Paris 1707)

  Suite in G major, no. 6
  Allemande – Courante – Sarabande – Gigue – Menuet – Rondeau
  (from: Pièces de clavecín)

  c1665-1729
• Isabella Leonarda / arr. Thomas Laue

  Sonata a 4 in D minor, op. 16 no. 12
  Adagio – Allegro e presto – Vivace e largo – Spiritoso – [-] – Aria Allegro – Veloce
  
  Programme subject to change

  1620-1704

Musicians

• Malgosia Fiebig carillon