Nari Baroque Ensemble
A man who transforms into a nightingale. A desperate soul who entrusts his worries to the wind. A nymph who becomes a reed and can sing again – now as a flute. Throughout the Baroque period, the voices of man and nature are in constant dialogue. With arias, diminutions, and instrumental miniatures by John Dowland, Georg Friedrich Handel, Alessandro Scarlatti, and François Couperin, Nari Baroque takes us to landscapes filled with intriguing phenomena and wondrous creatures.
Programme
-
Pietro Torri
Son Rosignolo Che Mesto e Solo
(from: Ismene, 1715)1650-1737 -
François Couperin
Le Gazoüillement
(from: Pièces de clavecin livre 2, 1717)1668-1733 -
Alessandro Scarlatti
Quel vento que t’in torno
(from: Ardo, è ver, H. 62)1660-1725 -
Henry Carey
The Midsummer Wish
(from: Calliope, or English Harmony)1687-1743 -
François Couperin
Le Rossignol en amour
(from: Pièces de clavecin livre 3, 1722) -
Alessandro Scarlatti
Onde chiare che spargete
(from: Clori mia, Clori Bella, H.129, 1699) -
Agostino Stefani
Zefiretti placidetti
(from: Spezza, Amor)1654-1728 -
John Dowland
Diminutions over Flow My Tears
(from: The Second Book of Songes, 1600)1563-1626 -
Maurice Greene
Dying Swan
(from: Henry Roberts, Calliope, or English Harmony, 1739)1696-1755 -
Jacob van Eyck
Diminutions over Doen Daphne
(from: Der Fluyten Lust-Hof, 1644)1589/90-1657 -
Michel Pignolet de Monteclair
Restes Plaintifs
(from: Pan et Syrinx, 1713)1667-1737 -
Georg Friedrich Händel
Myself I shall adore
(from: Semele, HWV 58, 1743)1685-1759 -
Henry Carey
The tragical story of the mare
(from: Cantatas and Songs, 1724)1687-1743 -
Joseph Bodin de Boismortier
Regne Amour
(from: Le Printems, 1724)
Programme subject to change1689-1755
Musicians
- Liron Givoni soprano
- Naomi Hassoun recorder
- Yotam Haran cello
- Guy Pardo harpsichord
