Utrecht wakes up to the closing day of the Festival Oude Muziek Utrecht 2025. It promises to be a beautiful closure, with sunshine and a pleasant temperature of 25 degrees Celsius. The perfect conditions to enjoy one last ice cream while listenen to live music from the Concert Camper, which is parked right in the heart of the city at the Neude today.
Recap
Yesterday’s programme was once again full of highlights. The passing of the day did not go unnoticed: A Nocte Temporis & sand artist Natalia Moro performed each part of Telemann’s Tageszeiten at its corresponding time of day (morning, afternoon, evening, night). Philippe Jaroussky also sang exquisite arias to a sold-out Hertz and we saw the second-to-last Early Music Breakfast Show with Jorge Losana.
Closing concert
Henry Purcell’s Dido and Aeneas remains a jewel of Baroque music theatre. First performed around 1689, it tells the tragic story of Queen Dido of Carthage, abandoned by the Trojan hero Aeneas and consumed by despair. Though short in length, the opera possesses extraordinary emotional intensity: love, betrayal, sorrow and fate condensed into music that still speaks directly to the heart. Dido’s final lament, with its inexorably descending ground bass, is one of the most poignant farewells ever composed.
At the closing concert of the Festival Oude Muziek Utrecht 2025, Le Poème Harmonique presents Purcell’s masterpiece this evening in a powerful concert version. Under the direction of Vincent Dumestre, the ensemble brings together the grandeur of French tragédie lyrique and the intimacy of the English masque, revealing the richness and stylistic interplay of the opera. A few tickets are still available.
Artwork of the Day
With the Artwork of the Day we connect a work of art to one of the concert programmes. Sometimes the link is obvious, sometimes surprising or unexpected. In this final edition, we feature a remarkable painting around which an entire concert programme has been created: Christ Surrounded by Singing and Music-Making Angels (late 15th century) by Hans Memling.
The painting is a large three-panel altarpiece showing Christ surrounded by singing and music-making angels. It originally formed part of a larger altarpiece for the abbey church of Santa María la Real in Nájera, Spain, of which the rest has been lost. The work is now in the Royal Museum of Fine Arts in Antwerp.
On these panels, Memling painted a serene vision of heaven. Christ sits in the centre, blessing and at peace. Around Him stand sixteen angels: six singing from a large choir book, the others playing lute, harp, organ, and other unusual instruments. These instruments are rendered in such detail that they are still used today for musicological research. How would these heavenly sounds have sounded? What were the angels singing?
Today, we may get an answer to these questions, as Tiburtina Ensemble and Oltremontano Antwerp bring the music of the painting to life. They sing and play repertoire from Memling’s time on instruments carefully reconstructed from medieval examples - often exactly as they are depicted in Memling’s work. Together, the two ensembles evoke a sound world that matches the stillness, devotion, and beauty of Memling’s angelic vision.
This two-dimensional image becomes spatial, alive, and human this afternoon. It is as if you step into the painting and the angels lift their voices. Not only for Christ, but for us as well.
Round up
After ten days full of music, stories, and encounters, we close Festival Oude Muziek Utrecht 2025 with a moment of reflection. This year’s theme was Museumkunst?: heritage as a lens through which to view early music. Has that perspective changed the way we see things? Did we hear different layers, discover more connections with the art of then and now?
During the final Early Music Museum Lecture, three regular visitors and connoisseurs will join the conversation: Pieter-Jan van Giersbergen (Ambassador of Early Music, Museum Ons’ Lieve Heer op Solder), Rozanne de Bruijne (Museum Catharijneconvent), and sociologist Pauline Meurs. The moderator will be Bernini expert and supervisor Pieter-Matthijs Gijsbers.
Also on the programme today...
… Marais expert Vittorio Ghielmi with companions Christoph Urbanetz and Luca Pianca at 11:00 in Cloud Nine, Hantaï rediscovers Handel in the Hertz, the third day of the Early Music Exhibition, Matteo da Perugia performed by La Fonte Musica, and much more.
Today on EMTV
On this final day of the Festival Oude Muziek Utrecht, you can tune in one last time to a live concert on Early Music Television: Tiburtina Ensemble & Oltremontano Antwerpen at 17:00 hrs.
All livestreams from the past ten days are available for replay on EMTV. In addition, new festival recordings that were not broadcast live will be released every month.
Looking ahead
In this final wake-up call we take a glance at what lies beyond this last festival day. Because the end of Festival Oude Muziek Utrecht 2025 also marks the beginning of the Festival Oude Muziek Tours 2025/2026.
From October through May we once again present fifteen Festival Oude Muziek Tournees across the Netherlands, bringing the finest early music to beautiful venues. From Willaert to Bach, from young talent to seasoned star musicians, and from Groningen to Maastricht and back again: there’s something for everyone. Festival favourites from the past ten days such as Céline Scheen, Dionysos Now! and BREZZA will return, along with artists including Maarten Engeltjes and Núria Rial.
But… we are also already looking ahead to Festival Oude Muziek Utrecht 2026, which will take place next year from 28 August to 6 September. Be sure to mark your calendar! The theme will be Giving Voice. Curious about what that entails? Visit our website for more information.
Stay up to date
This was the final Wake-up Service of 2025. We thank all our loyal readers for their feedback and enthusiasm!
In the coming days, more visual and audio recaps of the festival will appear on social media. Check out the channels below - and see you next year!
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