Capriccio Stravagante & Cantoría
Despite a warning, a knight walks into darkness, facing his doom. It is the story of Canto a mi Caballero, a song that once captivated the entire Iberian Peninsula. Where this mystical folk repertoire and Franco-Flemish style counterpoint meet, Capriccio Stravagante discovered superb music: religious and secular works by Antonio de Cabezón and Cristóbal de Morales, here virtuosically mixed with the most beautiful melodies and verses from the Spanish Renaissance.
Programme
-
Antonio de Cabezón
Pavana con su glosa
Differencias sobre el canto llano del Cavalleroc1510-1566 -
Nicolas Gombert
Dezilde al Cavallero
c1495-c1560 -
Anonymous
Las Vacas
16th century -
Cipriano de Rore
Signor mio caro
1515/16-1565 -
Josquin des Prez
Mille regretz: Canción del Emparador
c1450/55-1521 -
Cristóbal de Morales
Missa Dezilde al Caballero
Kyrie - Gloria - Credoc1500-1553 -
Alonso Mudarra
Fantasia
1510-1580 -
Antonio de Cabezón
Pavana Italiana
Differencias sobre La Gallarda Milanesa
Differencias sobre el canto de La Dama la Demanda -
Anonymous
La Cara Cossa
16th century -
Antonio de Cabezón
Je prens en gré la dure mort
Quien llamo al partir partir -
Diego Ortiz
Recercadas sobre Doulce memoire
c1510- c1570 -
Cristóbal de Morales
Missa Dezilde al Caballero
Sanctus - Benedictus - Agnus Dei -
Antonio de Cabezón
Anchor che col partire
-
Jacques Arcadelt
Il bianco e dolce cigno
Programme subject to change1507-1568
Musicians
- Cantoría
- Inés Alonso, Victoria Cassano soprano
- Oriol Guimerà, Daniel Folqué alto
- Martí Doñate tenor
- Lorenzo Tossi, Víctor Cruz bass
- Jorge Losana tenor, musical direction
- Capriccio Stravagante
- Josh Cheatham, Anna Lachegyi, Margaret Little, Andreas Linos, Nick Milne viola da gamba
- Julien Martin recorder
- Doron Sherwin cornetto
- Emmanuel Frankenberg virginal
- Skip Sempé harpsichord, artistic direction
