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Octavie Dostaler-Lalonde & Postscript

Cello sensation according to Geminiani | 14 - 17 Jan 2026

Octavie Dostaler-Lalonde & Postscript

Cello sensation according to Geminiani
Naples found him too wild, but in London he became a sensation: the rhythmic boldness and unpredictable tempi of composer Francesco Geminiani were a scandalous success throughout Europe at the beginning of the 18th century. The young Canadian star cellist Octavie Dostaler-Lalonde throws herself into Geminiani's sonatas for cello. She is assisted by her fellow musicians from Postscript on theorbo and harpsichord.

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Programme & musicians

Octavie Dostaler-Lalonde cello solo, cello piccolo
Victor García García
cello continuo, cello piccolo
Michele Pasotti
theorbe
Margaret Urquhart
violone
Artem Belogurov
klavecimbel

Francesco Geminiani 1687-1762
Sonata for cello and basso continuo Op. 5, no. 3
I. Andante
II. Allegro
III. Affettuoso
IV. Allegro

Affettuoso, arr. for cello piccolo and basso continuo
(from: The Art of Playing the Guitar or Cittra, 1760)

Sonata for cello and basso continuo Op. 5, no. 2
I. Andante
II. Presto
III. Adagio
IV. Allegro

Prélude, Lentement, H.200
(from: Pièces de clavecin tirées des différents ouvrages, 1743)

Sonata for cello and basso continuo Op. 5, no. 1
I. Andante
II. Allegro
III. Andante
IV. Allegro

Tendrement in A minor, H.203
(from: Pièces de clavecin tirées des différents ouvrages)

Sonata for cello and basso continuo Op. 5, no. 6
I. Adagio
II. Allegro assai – Grave
III. Allegro – Non tanto

Canon, arr. for cello piccolo and basso continuo
(from: The Art of Playing the Guitar or Cittra)

Sonata for two violins and continuo Op. 1, no. 2, arr. for two cello piccolos
I. Grave
II. Allegro – Adagio
III. Allegro

Programme subject to change