Wake-up Service, 31 August 2025

Good morning! It’s Sunday, 31 August, and Festival Oude Muziek Utrecht 2025 is in full swing. Today the Concert Camper is waiting for you at Jaarbeursplein – you can't miss it!

 

Recap

Artist in residence Stile Antico recreated a day in the monastery with five liturgical concerts from 07:00 to 21:45 hrs in the Sint-Willibrordkerk. Good news for those who missed it - each performance can be rewatched via Early Music Television. Music theatre also played a major role yesterday: in the Stadsschouwburg, La Tempête told a moving story about the Sibyls, while ART HOUSE 17 reflected on the 1911 theft of the Mona Lisa. In the Domkerk, Ricercar Consort explored suffering, hope, and the longing for peace in Da Pacem.

Image & Sound

Today, film once again takes centre stage at the Festival Oude Muziek. At 11:00 hrs in TivoliVredenburg you can experience the animated film Geesken by Wim Trompet, performed live with music by Camerata Trajectina. The ensemble brings to life the songs that Gesina “Geesken” ter Borch, sister of painter Gerard, once wrote down in her poetry albums and Liedboeck.

In the film, these personal notes take on a new meaning. The cheerful melodies, once tied to Geesken’s own life, now colour the animation and reveal her character to us. The result is an intimate portrait of a young woman who, in the seventeenth century, captured her voice and inner world, yet was often overshadowed by her famous brother. A special and moving start to the festival day.

Artwork of the Day

With the Artwork of the Day we connect a work of art to one of the concert programmes. Sometimes the link is obvious, sometimes surprising or unexpected. Today we feature a sculpture: Orpheus and Eurydice by Auguste Rodin (c. 1893).

The sculpture captures one of the most poignant moments from Greek mythology. Orpheus, through his music, has persuaded the gods of the underworld to return his beloved Eurydice. But at the very last moment he looks back, against the divine command. And in that instant he loses her forever.

Rodin has fixed this moment in marble: Orpheus already stands nearly in the light, while Eurydice remains in shadow. Their posture is tense: on one side a longing for each other, on the other the looming separation - a stark contrast between hope and fear.

The myth of Orpheus and Eurydice is also the subject of one of Claudio Monteverdi’s greatest operas: L’Orfeo. It is not only a love story, but above all a tribute to the power of music. Orpheus’s songs open the gates of the underworld, yet his human frailty proves fatal: one backward glance, and Eurydice slips away forever. Monteverdi sets this moment to music that is both consoling and unrelenting.

What makes Monteverdi’s approach so innovative is his decision to let the text lead. The music follows the meaning of each word, every emotion is given its own melodic gesture and colour. The result is an intensely dramatic work in which language and sound merge completely. The chorus plays a special role here: not mere background, but the voice of the community, a witness and conscience that makes Orpheus’s fate all the more poignant.

In Rodin’s sculpture and Monteverdi’s music the same questions arise: how powerful is art truly - can it conquer death, or does it only grant us a glimpse of consolation? Both offer the same answer: art cannot change fate, but it can render it unforgettable. In marble, in sound, and in the story of Orpheus, which continues to move us again and again.

A Left-Wing Hobby?

In four Early Music Museum Lectures, experts provide deeper insights into topics connected to this year’s festival theme, Museum Art?. Yesterday, musicologist Antonio Chemotti opened the series with various perspectives on the Choir Book of Margaret of Austria. Today, sociologist and politician Paul Schnabel explores the question: are the performing arts really just a left-wing hobby? Hear all about it at 18:45 in TivoliVredenburg, Hertz! (please note: the lecture will be in Dutch)

Tip from the Team: Maayan Licht & BREZZA

Even for the people behind the scenes, Festival Oude Muziek Utrecht is a highlight every year. Today, editor Marjolein shares her favourite concert on the programme.

"Some time ago, I heard Maayan Licht for the first time - not in concert, but online. As a sopranist, he amazes many with what he can do with his voice, even young people who are less familiar with the genre. And he is incredible! He performs fantastic arias with just the right touch of humour. In this concert, he will perform together with BREZZA, the young ensemble that won several prizes last year at the International Van Wassenaer Competition. I’m really looking forward to this combination. It’s bound to be an amazing concert!”

View more tips from the team: www.oudemuziek.nl/tips

 

Also on today's programme...

…a visit to the treasury of Kroměříž with Ensemble Castelkorn, Marco Mencoboni’s German harpsichord performance, and a day’s finale featuring beautiful arias by soprano Céline Scheen, accompanied by viola da gamba player Philippe Pierlot.

View the festival programme

Today on EMTV

Watch the second chapter of our Choirbook of Margaret of Austria series, with Dionysos Now!, and take front-row seats at 20:00 hrs for L’Orfeo performed by artist in residence La Fonte Musica.

Did you know that...

You should keep your tickets from the Festival Oude Muziek Utrecht 2025, even after the concert is over! Until 1 December, presenting your FOMU ticket gives you free access to the treasures of our co-curator, Museum Catharijneconvent. Together with their heritage specialists, we add depth to the festival’s lectures, introductions, and discussions. The free entry covers both the permanent collection and the temporary exhibition on earthly and spiritual love in art - a unique opportunity to experience the dialogue between music and religious art for yourself.

Co-curator Museum Catherijneconvent