It’s day six, and we’ve already passed the halfway mark of Festival Oude Muziek Utrecht 2025. But not to worry: there’s still plenty of beauty to come. Today, the Concert Camper leaves the city centre of Utrecht – join us as we head into the other neighbourhoods, and don’t miss the travelling concert hall as it makes a stop in Zuilen at the ZIMIHC Theatre today.
Looking back
Day five was one of contrasts. Under the direction of Simon-Pierre Bestion, La Tempête played Hypnos, an ode to the god of sleep; Sollazzo Ensemble performed ceremonial festive music from around 1425; and artist in residence Stile Antico opened the (secretly Catholic) partbooks of Robert Dow.
Jean Rondeau’s Odyssey
Today marks the beginning of artist in residence Jean Rondeau’s great journey: presenting the complete keyboard works of Louis Couperin – in no fewer than seven concerts.
In an earlier article for Tijdschrift Oude Muziek, Rondeau described Louis Couperin as a key figure in the history of the harpsichord. “For this instrument, there seems, in a sense, to be a time before and after Louis Couperin.”
Particularly groundbreaking are the préludes non mesurés – preludes without fixed metre or rhythm. “Like an orator, Couperin gracefully declaims these flowing cadences,” says Rondeau, who regards these works as a revolution: a field for boundless imagination.
Rondeau’s personal connection with Couperin began in his youth, when a short prelude left a deep impression on him. That moment grew into a lifelong fascination and ultimately into the monumental project of performing and recording Couperin’s complete works.
“Each concert is meant as a journey through time,” Rondeau explains, “an invitation to sink, while listening, into a poetic dream.”
Artwork of the Day
With the Artwork of the Day we connect a work of art to one of the concert programmes. Sometimes the link is obvious, sometimes surprising or unexpected. With today: The Soul of the Rose by John William Waterhouse (1908)
Although Waterhouse painted this work in 1908, it still speaks to the imagination. We see a young woman leaning over a garden wall to smell a rose. Her eyes are closed, her face almost pressed against the flower. It seems as if she is completely absorbed in that single, intimate moment. The rich folds of her dress, the warm brick wall and the lush greenery enhance the impression of a secluded world – a place where the outside world momentarily ceases to exist. The painting captures a mixture of longing, beauty, and a touch of melancholy. The rose here is not just a flower, but a symbol of the intangible: love, memory, perhaps even loss.
That same rose had already appeared centuries earlier in medieval literature and music. Think of Le Roman de la Rose, the famous allegorical poem in which the quest for the rose stands for the quest for love. During the concert Contre le Temps – The Kiss of the Rose, on 3 September in the Pieterskerk, singers and instrumentalists bring that world to life. They perform polyphony and poetic songs from the fourteenth century, where the rose symbolises longing and passion, but also the unattainable ideal.
In this way, painting and music meet across the centuries. Waterhouse offers us a moment of stillness between one woman and one flower; the musicians of Contre le Temps let us hear how that same image resounded in the Middle Ages, through music and poetic language. Together they tell a timeless story: how a simple rose can hold the key to the deepest emotions of the human soul.
Tip from the team: Capriccio Stravagante Renaissance Orchestra
For those working behind the scenes, Festival Oude Muziek Utrecht is a celebration every year as well. Our crew members are happy to share their personal tips! Today’s recommendation comes from Daniel, chair of the Stichting Vrienden.
“Dancing with Friends – doesn’t that conjure up wonderful images and memories? As chair of the Friends of Early Music Foundation, of course I can only recommend one concert: the Friends’ Concert. The fact that the festival has so many loyal Friends is reason enough for a celebration, and that’s exactly what we’ll have this evening. Even the ensemble’s name sparkles with promise. The hall filled with Friends makes it extra special. I look forward to meeting everyone and hopefully welcoming many new faces as well. And who knows – perhaps we’ll even see a little dancing?”
Tips from the teamIVWC
Today, young talent takes to the stage of Cloud Nine at TivoliVredenburg to compete for a place in the final of the International Van Wassenaer Competition. Candidates at their very best, fiery performances, jury feedback live on stage – who doesn’t love a bit of competition?
In this festival edition, the IVWC once again focuses on rococo, galant, classical, romantic, and even impressionist repertoire.
The finest ensembles will go for gold in Friday’s final.
Also on the programme today...
… Bach’s Goldberg Variations performed by Julien Wolfs, a journey through the Labyrinth of David Pohle with Clematis, the documentary Orlando about Orlandus Lassus, followed by a discussion with Simon-Pierre Bestion and director Joachim Thôme, and a lot more.
View the festival scheduleToday on EMTV
All day long, the IVWC can be followed live for free via EMTV. In addition, today you can watch the fifth Mass from The Choirbook of Margaret of Austria, performed by Cappella Pratensis, and don’t miss the danceable 8 o’clock concert by Capriccio Stravagante Renaissance Orchestra & Skip Sempé.
Did you know that...
... every day from 10:00 to 17:00 you can unwind in our Festival Lounge at TivoliVredenburg? Settle down in the foyer of the Grote Zaal to watch EMTV for free, browse the music library, enjoy a drink, or simply sink into a comfortable sofa with the Festival programme.
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