Ensemble Correspondances
Hidden behind the pages of music encyclopaedias are thousands of unknown muses and female musicians who lured composers into writing beautiful works. In Renaissance Ferrara, the Duke deliberately kept the songs of his 'Concerto delle donne' away from the printing presses. Vivaldi's Ospedale women did play for audiences but went down in music history anonymously, as did the singers for whom French stars like Boësset and Clérambault created bespoke works. Sébastien Daucé breaks open the vault in which these gems remained hidden for centuries.
Programme
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Maurizio Cazzati
Balletto quatro instrumental
1616-1678 -
Lodovico Agostini
Ecco col nostro Duca
1534-1590 -
Luzzasco Luzzaschi
Cor mio deh non languire
Non sa che sia dolore
O dolcezze amarissime d’amore
Aura soave
Stral pungente d’amore1545-1607 -
Girolamo Alessandro Frescobaldi
Canzone terza instrumental
1583-1643 -
Lodovico Agostini
Una si chiara luce
-
Giuseppe Giamberti
Similabo eum
Veni electa meac1600-1662 -
Anonymous
Salve, Jesu Piissime
Fasciculus myrrhae
Amor Jesu -
Etienne Moulinié
Dum esset Rex
c1600-after 1669 -
Antoine Boësset
Anna mater matris redemptoris nostri
Domine Salvum fac regem1586-1643 -
Plainchant
Ave Maria
-
Antoine Boësset
Salve Regina
-
Louis-Nicolas Clérambault
Miserere
Programme subject to change1676-1749
Musicians
- Caroline Weynants, Maud Haering, Caroline Bardot, Perrine Devillers soprano
- Blandine de Sansal, Ariane Le Fournis alto
- Gabriel Rignol theorbo
- Angélique Mauillon harp
- Étienne Floutier viola da gamba, lirone
- Sébastien Daucé organ, musical direction
