Ensemble Correspondances
Hidden behind the pages of music encyclopaedias are thousands of unknown muses and female musicians who lured composers into writing beautiful works. In Renaissance Ferrara, the Duke deliberately kept the songs of his 'Concerto delle donne' away from the printing presses. Vivaldi's Ospedale women did play for audiences but went down in music history anonymously, as did the singers for whom French stars like Boësset and Clérambault created bespoke works. Sébastien Daucé breaks open the vault in which these gems remained hidden for centuries.
Programme
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Lodovico Agostini
Ecco col nostro Duca
1534-1590 -
Luzzasco Luzzaschi
Cor mio deh non languire
Non sa che sia dolore
O dolcezze amarissime d’amore
Stral pungente d’amore
Aura soave1545-1607 -
Lodovico Agostini
Una si Chiara luce
-
Giuseppe Giamberti
Similabo eum
c1600-1662 -
Girolamo Alessandro Frescobaldi
Canzone
1583-1643 -
Bonifazio Graziani
Jacebam in tenebris
1604/05-1664 -
Antoine Boësset
Anna mater matris redemptoris nostril
Domine Salvum fac regem1586-1643 -
Anonymus
Ave Maria
17th century -
Antoine Boësset
Salve Regina
-
Louis-Nicolas Clérambault
Miserere
Programme subject to change
1676-1749
Musicians
- Ensemble Correspondances
- Sébastien Daucé musical direction