25 aug Lutherse Kerk Utrecht 13:00

Yoann Moulin

As a young man at the Spanish court, Antonio de Cabézon sampled Franco-Flemish counterpoint at the Capilla Flamenca as well as Italian repertoire at the Capilla Musicale, plus other European music in the monarch's travelling company. No wonder his keyboard oeuvre is a melting pot of ideas, genres and tastes! With works published by Cabézon's son Hernando and compositions by contemporaries Soto and Jiménez, Yoann Moulin pieces together a panoramic portrait. 

Programme

Antonio de Cabezón

Tiento del primer Tono
Diferencias sobre la pavana italiana
Diferencias sobre la gallarda milanesa
Duuiensela
Canción religiosa
Beata viscera Mariae
Tiento del quinto tono

c1510-1566
José Ximénez

Batalla de sexto tono

1601-1672
Antonio de Cabezón

Diferencias sobre el canto del cauallero
Tiento del cuarto tono
Ancol que col partire
Fabordon y glosas del primer Tono llano
Hernando de Cabezón

Dulce memoriae

1541-1602
Pedro de Soto

Otro versillo de sexto tono

?-1708
Hernando de Cabezón

Susana un jur
Antonio de Cabezón

Quien llamò al partir, partir

Programme subject to change

Musicians

Yoann Moulin harpsichord

Lutherse Kerk

Hamburgerstraat 9
3512 NN Utrecht

Wheelchair accessible

Disabled parking

Hearing loop

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When young Yoann Moulin was attending a French choir school, he discovered the harpsichord. Later, when he continued studying harpsichord at the conservatory in Paris, he also discovered the clavichord, the organ and improvisation, receiving lessons from greats such as Pierre Hantaï and Skip Sempé. Moulin accompanied musicians in renowned ensembles such as Les Arts Florissants, Le Concert Spirituel, and La Tempête, but he also gained recognition as a soloist. His first album, dedicated entirely to the composer Frescobaldi, received critical acclaim. Recently, he also started "Un Bande de Clavecins," an ensemble of harpsichordists interested in Renaissance music.