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Ensemble Correspondances

Hidden women | 17 - 19 Jan 2025

Ensemble Correspondances

Hidden women 
Hidden behind the pages of music encyclopaedias are thousands of unknown muses and female musicians who lured composers into writing beautiful works. In Renaissance Ferrara, the Duke deliberately kept the songs of his 'Concerto delle donne' away from the printing presses. Vivaldi's Ospedale women did play for audiences but went down in music history anonymously, as did the singers for whom French stars like Boësset and Clérambault created bespoke works. Sébastien Daucé  breaks open the vault in which these gems remained hidden for centuries.

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Programme & Musicians

Caroline Weynants, Maud Haering, Caroline Bardot, Perrine Devillers soprano
Blandine de Sansal, Ariane Le Fournis
alto
Gabriel Rignol
theorbo
Angélique Mauillon
harp
Étienne Floutier
viola da gamba, lirone
Sébastien Daucé
organ, harpsichord, musical direction

Maurizio Cazzati 1616-1678
Balletto quatro instrumental

Luzzasco Luzzaschi 1545-1607
Cor mio deh non languire 
Non sa che sia dolore 
O dolcezze amarissime d’amore 
Stral pungente d’amore 

Girolamo Alessandro Frescobaldi 1583-1643
Canzone terza instrumental

Lodovico Agostini

Una si chiara luce 

Giuseppe Giamberti c1600-1662
Similabo eum 
Veni electa mea

Anonymous
Salve, Jesu Piisime
Fasciculus myrrhae
Amor Jesu

Etienne Moulinié c1600-after 1669
Dum esset Rex

Plainchant
Ave Maria

Antoine Boësset 1586-1643
Anna mater matris redemptoris nostril 
Domine Salvum fac regem 
Salve Regina

Louis-Nicolas Clérambault 1676-1749 
Miserere 

Programme subject to change