Ensemble 1700 & Nuria Rial
What was once a crazy Portuguese folk dance, evolved into one of the most popular genres of the Baroque. Composers such as Falconieri, Lully, Vivaldi and C.P.E. Bach fell head over heels for La Folia: a bass line so addictive that even dozens of variations could not extinguish the craze. Star soprano Nuria Rial, recorder player Dorothee Oberlinger and violinist/dancer Yves Ytier present highlights from the repertoire. An infectious cocktail full of temperament, elegance and drama.
Programme
-
Andrea Falconieri
Folias
1585/6-1656 -
Tarquinio Merula
Folle è ben che si cred
1594/5-1665 -
Barbara Strozzi
Che si può fare
1619-1677 -
Diego Ortiz
Recercada settima (romanesca)
c1510-1570 -
Nicola Matteis
Fantasia in D minor
Diverse bizzarie sopra la vecchia Sarabanda o pur Ciacconac1650-after 1713 -
Claudio Monteverdi
Sí dolce è’l tormento
1567-1643 -
Georg Friederich Händel
Mi palpita il cor
Arioso e recitativo 'Mi palpita il cor'
Aria: Ho tanti affanni in petto1685-1759 -
Carl Philipp Emanuel Bach
12 Variations über die Folie d’Espagne, H.263
1714-1788 -
Antonio Vivaldi
Sol da te, mio dolce amore
(from: Orlando furioso, RV 728, 1727)
La Follia Op. 1, no. 12, RV 631678-1741 -
Jerónimo Giménez
La tarántula é un bicho mú malo
(from: La Tempranica, 1900)1854-1923 -
Programme subject to change
Musicians
- Nuria Rial soprano
- Yves Ytier baroque violin, dance
- Hille Perl viola da gamba
- Axel Wolf lute
- Florian Birsak harpsichord
- Dorothee Oberlinger recorder, musical direction