Irene González Roldán

Irene González Roldán

The young Sevillan harpsichordist Irene González Roldán tells the story of 18th-century Spain, where Madrid was the pinnacle of keyboard art and Scarlatti cast long shadows over his Iberian brothers. But Sebastián de Albero, José de Nebra and Carlos Seixas also have a lot to say. With the Spanish Golden Age, local folk music and Italian virtuosity in a delightful swirl, this round of keyboard is a flavor bomb. 

Programme

• Sebastián Ramón de Albero

  Recercata prima – Fuga prima – Sonata prima
  (from: Obras para clavicordio o piano forte, E-Mc4/1727(2)) 

  1722 - 1756
• Antonio Soler

  Preludio IV in f minor
  (from: Llave de la Modulación, Madrid 1762)

  1729 - 1783
• Carlos de Seixas

  Sonata in F minor
  Moderato
  
  Minuet in F major
  
  Sonata in F minor
  Allegro

  1704 – 1742
• José Nebra

  Sinfonia II in E minor
  Allegro – Correnta viva – Vivo
  (from: E-Zac, B-2 s/n)

  1702 – 1768
• Antonio Soler

  Preludio III in C major
  (from: Llave de la Modulación)

• José de Nebra

  Sinfonia VIII in C major-minor
  [I] - Rondeau – [III] – Rondeau – La inconstancia de amor, minué – [VI] – [VII]
  (from: E-Zac, B-2 s/n)  

• Antonio Soler

  Preludio I in D minor
  (from: Llave de la Modulación)

• Félix Máximo López

  Variaciones del Fandango español
  (from: E-Mn, MC/4420/14)
  
  Programme subject to change

  1742 - 1821

Musicians

• Irene González Roldán harpsichord