Opera Omnia

Opera Omnia

The Spanish territories in South America honoured numerous traditions from the motherland. For example, chapels were installed to provide cathedrals and churches with high-quality music. At the head was a kapellmeister, who not only conducted performances but also provided the necessary music. Opera Omnia gives you a taste of the portfolios of 17th-century maestros at the cathedrals of Puebla, Mexico, La Plata and Quito.  

Programme

• Juan García de Zéspedes

  Convidando está noche 
  Juguete a 4 

  1619-1678
• Juan de Araujo

  Vaya de gira 
  Villancico de Navidad a 8 

  1646-1712
• Gaspar Fernández

  A San Pedro a 4

  1570-1629
• Antonio de Salazar

  A de la nave 

  1650-1715
• Manuel Blasco

  La chacona me piden

  c1628-c1696
• Antonio Martín y Coll

  Folías 

  ?-after 1733
• Juan Gutiérrez de Padilla

  Stabat mater

  c1590-1664
• Sebastián Durón

  Salve de ecos 
  Duerne, rosa, y descana 

  1660-1716
• Juan Gutiérrez de Padilla

  A la xácara, xacarilla 

  c1590-1664
• Anonymous

  Vaya de xácara
  
  Programme subject to change
  

   

  17th century

Musicians

• Manon Chauvin, Cristina Teijeiro, Adriana Mayer soprano
• Beatriz Oleaga, María Morellà alto
• Fran Díaz Carrillo, Felipe Nieto tenor
• Fabio Barrutia bass
• Fernando Pérez Valera, Juan Alberto Pérez Valera, Luis Alfonso Pérez Valera, Eduardo Pérez Varela minstrels
• Guillermo Martínez cello
• Josías Rodríguez archlute, guitar
• Pere Olivé percussion
• Asís Márquez organ
• Isaac M. Pulet conductor, archlute, guitar