InAlto
NB: This concert is also available as live stream via EMTV. Click here for the live stream. Don't miss out and enjoy a front-row-seat at home.
Without his Libro de tientos, we might never have heard of Francisco Correa de Arauxo. However, this groundbreaking collection raises as many questions as it does answers. Where does Arauxo's knowledge of Franco-Flemish polyphony come from? Can folk influences also be heard? How did he achieve such virtuoso embellishment? And did he have any contact with musicians from the Arab-Andalusian tradition? InAlto and Bernard Foccroulle dig for the roots of Arauxo's creative process.
Programme
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Feast of the Immaculate Conception
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Alonso Lobo
Beata Dei Genitrix instrumental
1555-1617 -
Thomas Crecquillon
Magna et Mirabilia instrumental
c1505/15-1557 -
Francisco Correa de Arauxo
Canto Llano de la Inmaculada Concepcion
1584-1654 -
Francisco Correa de Arauxo
Tiento IX instrumental
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Josquin des Prez
Ave Maria
c1450-1521 -
Francisco Correa de Arauxo
Tiento XIX instrumental
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Thomas Crecquillon
Par tous moyens, Magna et Mirabilia instrumental
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Philippe Verdelot
Ultimi miei sospiri instrumental
c1480/85-1530/32 -
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Feast of Corpus Christi -
Francisco Correa de Arauxo
Tiento V instrumental
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Francisco Guerrero / Juan de Urrede / Brico Gaudi
Pange Lingua
1528-1599 / fl. 1451-c1482 / ?-c1605 -
Francisco Correa de Arauxo
Tiento LII instrumental
Prosa del Santissimo Sacramento (Lauda Sion)
Programme subject to change
Musicians
- Alice Foccroulle soprano
- Vojtěch Semerád alto
- Vincent Lesage tenor
- Guillaume Olry bass
- Susanna Defendi, Guy Hanssen, Bart Vroomen trombone
- Jérémie Papasergio, Anaïs Ramage dulcian
- Bernard Foccroulle organ
- Lambert Colson artistic direction, cornetto
