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La Chimera

Juan Vázquez in profile 

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Location:
Utrecht, Sint-Catharinakathedraal
Price € 10,00 - € 28,00
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La Chimera

Was Juan Vázquez the victim of a smear campaign? The preface to his collection Agenda defunctorum already calls for his work to be defended against 'bigots who mock it'! In villancicos, canciones and sonetos, Eduardo Egüez and La Chimera make an instrumental plea for this forgotten Renaissance master who was active at Seville Cathedral in the heyday of Cristóbal de Morales and Francisco Guerrero. 

Programme

  • Antonio de Cabezón

    Discante sobre ‘La pavana Italiana’

    c1510-1566
  • Juan Vásquez

    Por vida de mis ojos
    ¿Con qué la lavaré?
    De los álamos vengo, madre
    En la fuente del rosel

    c1500-c1560
  • Antonio de Cabezón

    Duviensela

  • Juan Vásquez 

    Si no os uviera mirado
    ¡O dulce contemplación!
    Que sentís, coraçon mío?
    Zagaleja de lo verde 

  • Alonso Mudarra

    Romanesca: o guardame las vacas

    c1510-1580
  • Antonio de Cabezón

    Pavana con su glosa

  • Juan Vásquez 

    Si me llaman, a mi llaman
    Buscad buen amor
    De dónde venís, amores

    Programme subject to change

Musicians

  • Qvinta Essençia
  • Elia Casanova soprano
  • Hugo Bolivar countertenor
  • Albert Riera tenor
  • Pablo Acosta bass
  • Ensemble La Chimera
  • Carolina Eguez, Maria Alejandra Saturno, Xurxo Varela, Sabina Colonna-Preti viola da gamba
  • Pablo FitzGerald vihuela
  • Eduardo Egüez artistic direction, vihuela

About the performers

While La Chimera was founded in 2001 as a viola da gamba consort, the ensemble has taken a different form since its encounter with now-musical director Eduardo Egüez. Preserving the original sound characteristics of the violas, La Chimera has become a versatile ensemble composed of internationally renowned artists on a variety of instruments. The group focuses on the creation of original projects, where the different art forms and cultures brought by the members of the group converge. This is how, as well as projects entirely dedicated to early music, the ensemble has created “early-fusion” projects, merging ancient and modern music. 

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