Enrike Solinís
Not ricercare, but tiento: on the Iberian Peninsula, the strings are warmed up by music without a straitjacket, between étude and improvisation. In Renaissance Spain, Alonso Mudarra published eight tientos in his iconic Tres libros de música en cifra para vihuela, and contemporaries such as Narváez, Cabezón and Milán also put their stamp on the genre. Enrike Solinís leads this tour through a fantasy world where the lute reigns supreme.
Programme
-
Luys Milán
Fantasía XI
Pavana I
Gallarda
(from: El Maestro, Valencia 1535)c1500-c1561 -
Luys de Narváez
Guardame las Vacas
O gloriosa Domina
(from: Los seys libros del delphín, Valladolid, 1538)fl. 1526-49 -
Alonso Mudarra
Fantasía que contrahace el harpa
Pavana y Gallarda de Alexandre
Tiento para organo u harpa
(from: Tres libros de musica en cifras para vihuela, Sevilla 1546)c1510-1580 -
Domenico Scarlatti
Sonata K32
Sonata K1781685-1757 -
Santiago de Murcia
Cumbés & Jota
(from: Saldívar Codex nr. 4, c1732)1673-1739 -
Mateo Pérez de Albéniz
Sonata in D major
c1755-1831 -
Antonio de Santa Cruz
Jacaras
(from: Libro donde se veran pazacalles, c1700)fl. c1700 -
Gaspar Sanz
Marionas & Canarios
(from: Instrucción de música sobre la guitarra española, Zaragoza 1674)Programme subject to change
c1640-1710
Musicians
- Enrike Solinis vihuela, baroque guitar
