Pieter-Jan Belder
With the folk influences that Domenico Scarlatti absorbed during his stay in Seville, he gave Iberian keyboard music a decisive turn. The idea, however, cannot be entirely credited to him: at the Portuguese court he had taught Carlos Seixas, a young keyboardist who was experimenting with folk music. Antonio Soler, in turn, had his composer's hand guided by Scarlatti. Pieter-Jan Belder interweaves the musical ins and outs of this fascinating triumvirate.
Programme
- 
                                    Carlos de SeixasSonata no. 27 in D minor 
 AllegroSonata no. 16 in C minor 
 Allegro1704-1742
- 
                                    Domenico ScarlattiSonata in A minor, K.3 
 PrestoSonata in E-flat major, K.474 
 Andante e cantabileSonata in E-flat major, K.475 
 Allegrissimo1685-1757
- 
                                    Antonio SolerSonata in F-sharp minor, R.85 
 AllegrettoSonata in F-sharp major, R.90 
 AllegroSonata in D minor, R.117 
 AndanteSonata in D major, R.84 
 AllegroSonata in A minor, R.182 
 AndantinoSonata in A minor, R.183 
 AllegroFandango Programme subject to change 1729-1783
Musicians
- Pieter-Jan Belder harpsichord
 
                 
                 
                 
                 
                