Malgosia Fiebig
For her journey to high Baroque France, Malgosia Fiebig is joined by composers from the courts of Louis XIV and XV. The sensual sounds of Rameau’s ballet Pygmalion, where a sculpture comes to life, form the program’s beating heart. Marin Marais’ Sonnerie de Ste Geneviève, with its obsessive bassline, and François Francoeur’s elegant Violin Sonata in G minor gild this royal soundscape.
Listening spot: Buurkerkhof
Programme
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Jean-Philippe Rameau
Ouverture
Gavotte gracieuse – menuet – gavotte gaie – chaconne vive – loure très grave – passepied vif – rigaudon vif
Sarabande pour la Statue
Tambourin: forte et vite
Chœur de peuple: Pigmalion
Pantomime: air gai
Deuxième pantomime: très vive
Air pour les grâces: jeux et ris – rondeau contredanse
(from: Pigmalion, acte de ballet, RCT52, 1748)1683-1764 -
Marin Marais
Sonnerie de Ste-Geneviève du Mont-de-Paris
1656-1728 -
François Francœur
Sonata for violin and basso continuo in G minor, op. 2, no. 6
Lentement – adagio
Courante
Allemande
Sarabande
Rondeau
Arrangements: Arie Abbenes
Programme subject to change1698 – 1787
Musicians
- Malgosia Fiebig carillon