Philippe Jaroussky & Angélique Mauillon
1602. A revolutionary idea redefines the future of music: in the new ‘seconda pratica’, notes become subservient to words. From now on, music becomes theatre, full of emotions. With Caccini’s revolutionary collection Le nuove musiche as a compass, countertenor Philippe Jaroussky and harpist Angélique Mauillon make their way as a duo through four centuries of music, navigating between Italian music temples and French salons. Monteverdi’s raw emotion, Moulinié’s courtly sighs, Hahn’s melancholic love letter – connected by desire: stirring and touching, straight to the heart.
Programme
-
Giulio Romolo Caccini
Dolcissimo sospiro
1551-1618 -
Francesca Caccini
Chi desia di saper
1587-1641 -
Sigismondo D’India
Piangono al pianger mio
c1582-1629 -
Jacopo Peri
Al fonte, al prato
1561-1633 -
Luzzasco Luzzaschi
Toccata
1545-1607 -
Francesco Cavalli
Negatemi i respiri
1602-1676 -
Claudio Monteverdi
Perché, se m’odiavi
Voglio di vita uscir1567-1643 -
Etienne Moulinié
Enfin la beauté que j’adore
Paisible et ténébreuse nuitc1600-after 1669 -
Jean Mercure
Suite in A minor
c1600-before 1661 -
Joseph de la Barre
J’avais juré
1633-1678 -
Antoine Boësset
À la fin cette bergère
1586-1643 -
Reynaldo Hahn
À Chloris
Programme subject to change1874-1947
Musicians
- Philippe Jaroussky countertenor
- Angélique Mauillon harp
