Arianna Radaelli
For centuries, people have been arguing about the ultimate harpsichord sound. Arianna Radaelli unfolds the range of timbres, colours and techniques, including unashamed use of a 16-foot register! From the delicate lute sound in Pachelbel's Fantasia, via the organ-like depth of Buxtehude's Präludium und Fuge and Froberger's intimate Tombeau to Bach's Italian Concerto, she highlights the versatility of the harpsichord. Arrangements of Bach's violin music by Gustav Leonhardt complete the picture.
Programme
-
Dieterich Buxtehude
Prelude in G minor, BuxWV 163
1637-1707 -
Johann Sebastian Bach
Italian Concerto, BWV 971
[I]
Andante
Presto
(From: Clavier-Übung II, Nürnberg 1735)
Sonate in D minor (after Sonata for Violin in G minor, BWV 1001)
Adagio
Fuga allegro
Siciliana
Presto -
George Rochberg
Nach Bach
1918-2005 -
Johann Pachelbel
Fantasia in E-flat major, P 127
1653-1706 -
Johann Jakob Froberger
Tombeau de M. Blancrocher
1616-1667 -
Carl Philipp Emanuel Bach
Fantasia in C major, Wq61/6 H.291
Programme subject to change
Musicians
- Arianna Radaelli harpsichord
