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Arianna Radaelli

One Instrument, a Thousand Sounds

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Location:
Utrecht, Lutherse Kerk
Price € 10,00 - € 23,00
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Arianna Radaelli

For centuries, people have been arguing about the ultimate harpsichord sound. Arianna Radaelli unfolds the range of timbres, colours and techniques, including unashamed use of a 16-foot register! From the delicate lute sound in Pachelbel's Fantasia, via the organ-like depth of Buxtehude's Präludium und Fuge and Froberger's intimate Tombeau to Bach's Italian Concerto, she highlights the versatility of the harpsichord. Arrangements of Bach's violin music by Gustav Leonhardt complete the picture.

Programme

  • Dieterich Buxtehude

    Prelude in G minor, BuxWV 163

    1637-1707
  • Johann Sebastian Bach

    Italian Concerto, BWV 971
    [I]
    Andante
    Presto
    (From: Clavier-Übung II, Nürnberg 1735)

    Sonate in D minor (after Sonata for Violin in G minor, BWV 1001)
    Adagio
    Fuga allegro
    Siciliana
    Presto

  • George Rochberg

    Nach Bach

    1918-2005
  • Johann Pachelbel

    Fantasia in E-flat major, P 127

    1653-1706
  • Johann Jakob Froberger

    Tombeau de M. Blancrocher

    1616-1667
  • Carl Philipp Emanuel Bach

    Fantasia in C major, Wq61/6 H.291

    Programme subject to change

Musicians

  • Arianna Radaelli harpsichord

About the performer

Arianna Radaelli studied harpsichord with Francesco Corti and Andrea Marcon in Basel and orchestra conducting with Gilberto Serembe and recently won the XIX International Harpsichord Competition in Bologna. Radaelli teaches harpsichord and basso continuo at the HMDK Stuttgart and performs as soloist and continuo player with renowned ensembles and orchestras, including Il Pomo d’Oro, Ensemble Zefiro, Café Zimmermann and La Cetra Barockorchester. She was musical assistant in the staging of several Baroque operas at the Innsbruck Festival of Early Music and the International Händel Festival Göttingen. Her debut solo album with works by B. Galuppi will be released in 2025 by Arcana.

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