Euskal Barrokensemble
Enrike Solinís explores the musical sources used by Manuel de Falla for his ballet El amor brujo. The composer mixed the seguiriyas, soleares, polos, martinetes and zambras of the Andalusian Roma with the sound of the burgeoning flamenco scene: an effervescent cocktail of past and present. Euskal Barrokensemble mixes up works by De Falla, Francisco Tárrega and Joaquín Rodrigo with Renaissance dances and traditional music, bringing along a dazzling flamenco singer as well as Baroque instruments and Persian percussion.
Programme
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Manuel de Falla / Dimitrie Cantemir
Escena Bestenigar
1876-1946 / 1673-1723 -
Traditional
Introduction: Seguiriya
-
Manuel de Falla
Pantomima
Canción del Amor Dolido -
Gaspar Sanz / Nicola Matteis / Traditional
Chaconna-Guajira
1640-1710 / 1670-1737 -
Luigi Boccherini
Fandango y verdiales
1743-1805 -
Giovanni Girolamo Kapsperger / Manuel de Falla
Pasacalle en círculo mágico
c1580-1651 -
Domenico Scarlatti
Sonata K32
1685-1757 -
Traditional, Persian / Manuel de Falla
Koumiss del fuego fatuo
-
Gaspar Sanz
Canarios
-
Manuel de Falla
Danza ritual del fuego
-
Anonymous
Falalanlera
(from: Cancionero de Uppsala, Venice 1556)16th century -
Traditional
Taranta de la Siega
-
Federico García Lorca
Zorongo
1898-1936 -
Antonio de Santa Cruz / Manuel de Falla
Xácara del juego de amor
fl. 1700 -
Manuel de Falla
Las campanas del amanecer
Programme subject to change
Musicians
- María José Pérez cantaora (flamenco singer)
- María Moreno bailaora (flamenco dancer)
- Miren Zeberio violin
- Pablo Martín Caminero double bass
- Paquito González percussion
- Vicente Parrilla flute
- Elies Hernándis sackbut
- Enrike Solinís artistic direction, guitar, lute
