François Joubert-Caillet & Philippe Grisvard
Johannes Schenck did what every genius does: ignore boundaries and do what no one ever thought possible. And so, our 17th-century compatriot fused Italian bravado, German depth, and French finesse into a musical language that belongs to him, and him alone. Gambist François Joubert-Caillet and harpsichordist Philippe Grisvard tap into Schenck's richest vein: sonatas from Tyd en Konst-Oeffeninger, Scherzi Musicali, and L'Écho du Danube—titles that reveal that the musical horizons of this superman on strings extended far beyond Amsterdam.
Programme
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Johannes Schenck
Sonate XIII in D minor
Prelude Adagio – Allemande – Courante – Sarabande – Gigue
(from: Tyd en konst-oeffeningen op. 2, Amsterdam 1688)
Sonate VI in A minor
Adagio – Allegro – Adagio – Presto – Adagio – Aria Largo – Vivace – Allegro – Largo – Largo – Aria Adagio – Giga
(from: L’Écho du Danube op. 9, Amsterdam 1704)
Sonate X in C major
Adagio – Presto – Ciacone Allegro – Adagio – Canzona – Adagio – Adagio – Alla breve
(from: Tyd en konst-oeffeningen)
Sonate V in E minor
Adagio – Aria Largo – Gavotta – Adagio – Giga Vivace - Aria
(from: L’Écho du Danube)
Sonate in G major
Ouverture – Aria Allegro – Menuet – Tempo di Gavotta – Boure – Aria Presto
(from: Scherzi Musicali op. 6, Amsterdam 1698)
Programme subject to change1660-1710
Musicians
- François Joubert-Caillet viola da gamba
- Philippe Grisvard harpsichord