STIMU-SYMPOSIUM

Programma

Voertaal: Engels

Monday 26 August

9:30-9:45 Welcome word by festival director Xavier Vandamme

9:45-10:30 Session one: Recorded Evidence (chair: Jed Wentz)
David Milson (University of Huddersfield, UK): Times and Traditions: String Recordings c.1900-c.1940

13:15-15:00 Session two: Proteus' Fiddle, or the story of the changing violin (chair: Mimi Mitchell)
Rudolph Hopfner (director of the Musical Instrument Collection, Kunsthistorisches Museum, Vienna): The Violin Labelled 'Ventura di Francesco Linarolo di Venetia 1581' – A Re-Examination

Susanne Scholz (Universität Graz): Golden Instruments Guarded by Angels: The Freiberg Renaissance Violins

Matthieu Besseling: A Builder's Perspective: The 20th-Century Metamorphosis of the Violin

15:30-16:30 Masterclass I (coach: Eva Saladin)
A. Bertali - Sonata II à 3, IAB 4 from Prothimia Suavissima - Duodenum primo, 1662

@ Ensemble
Pietro Battistoni, Clara Sawada - violin
Anna Lachegyi - viola da gamba
Halldór Bjarki Arnarson - harpsichord

16:45-18:15 Session three: The 19th Century (chair: Robert Rawson)
Richard Sutcliffe (Brussels Conservatory, Belgium): Creating a Belgian Violin School

Claire Holden (University of Oxford): Ensemble Re-search(ers): Taking a Multidisciplinary Approach to 19th-Century Performance Practice

18:30 What's New 
Job ter Haar (Codarts Rotterdam): “So mussen Sie es spielen!”: Re-enactment as Research Method


Tuesday 27 August

9:30-10:15 Session four: Untold Tales (chair: Mimi Mitchell)
Guido Olivieri (University of Texas at Austin): The Violin in Naples: Retracing an Untold History

10:15-10:40: Uri Kupferschmidt (University of Haifa): The Dutch Luthier and String Maker Jacques W. Hakkert and Henri Casadesus

13:00-14:30 Session five: Past Repertoires, or what did they play? (chair: Rebekah Ahrendt)
Robert Rawson (Canterbury Christ Church University): 'Such harmony as made my ears ache for four weeks' – Contrasts of the Rustic and the Urban in Czech Violin Music of the Late Seventeenth and Early Eighteenth Centuries 

Matthieu Franchin (Université Paris-Sorbonne): Violin Bands at the Comédie Française: On the Interpretation of Theatrical Music at the Time of Lully

Jed Wentz (Universiteit Leiden): Raving Mad and Financially Ruined: The Sad Fate of Violinist Albertus Groneman (1711-1778)

14:45-15:45 Masterclass II (coach: Clive Brown)
Mozart Violin Concerto in D major (K. 218), I. Allegro 
Haydn Violin Concerto in C major (Hob.VIIa :1), II. Adagio

Evelyn Tjon-en-Fa, violin
NN, piano

16:00-17:00 Position Paper and Round Table
Paper: Barbara Titus (University of Amsterdam): Progressing the Past: A Short Cultural History of the Twentieth-Century Early Music Movement

Round table: Expectations (Barbara Titus, convenor)
Heidi Erbrich, Zaynab Martin, Marilyn McDonald, Zaynab Martin, Alida Schat, Joseph Tan

Wednesday 28 August

9:30-10:30 Zomerschool 
Mimi Mitchell (Conservatory of Amsterdam): The Baroque Violin Revival: Past, Present and Future

13:00-13:45 Conversation: Source Materials for Teaching (moderator: Richard Sutcliffe)
with Richard Gwilt, Stanley Ritchie and Judy Tarling
            
14:00-15:30 Session six: Pedagogy then and now 
Thomas Drescher (Schola Cantorum Basiliensis): Playing and Teaching the “Historical Violin" at the Schola Cantorum Basiliensis

Johannes Leertouwer (Conservatory of Amsterdam): Pedagogy: Modern Meets Historical at the Amsterdam Conservatory              
                 
Anna Scott (Leiden University): Artistic Research and the DocARTES Doctoral Programme in the Musical Arts

15:45-16:30 Session seven: Reflections on Glass Cases (chair: Anna Scott)
Laurence Libin (former curator of Musical Instruments, Metropolitan Museum, New York): The Baroque Violin Revival from a Museum Perspective

16:30-17:00 Closing session
Mimi Mitchell: Pioneers in the Spotlight

17:00-18:00 Reception